Albert Bierstadt
Albert Bierstadt's Oil Paintings
Albert Bierstadt Museum
Jan 8, 1830 - Feb 18, 1902. German-American painter.

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Pierre-Auguste Renoir
Stilleben mit Anemonen

ID: 88644

Pierre-Auguste Renoir Stilleben mit Anemonen
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Pierre-Auguste Renoir Stilleben mit Anemonen


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Pierre-Auguste Renoir

French Impressionist Painter, 1841-1919 French painter, printmaker and sculptor. He was one of the founders and leading exponents of IMPRESSIONISM from the late 1860s, producing some of the movement's most famous images of carefree leisure. He broke with his Impressionist colleagues to exhibit at the Salon from 1878, and from c. 1884 he adopted a more linear style indebted to the Old Masters. His critical reputation has suffered from the many minor works he produced during his later years.   Related Paintings of Pierre-Auguste Renoir :. | Portrait of Ambroise Vollard, | Felsenklippen bei Guernsey | Melkerin | Young Women with a Fan | Reclining Woman Bather |
Related Artists:
L ESTIN, Jacques de
French painter , b. 1597, Troyes, d. 1661, Troyes
allart van everdingen
Allaert van Everdingen (bapt. 18 June 1621 Alkmaar - buried 8 November 1675, Amsterdam), was a Dutch Golden Age painter and printmaker in etching and mezzotint. Van Everdingen was the son of a government clerk at Alkmaar. He and his older brothers, the painters Jan and Caesar van Everdingen, according to Arnold Houbraken, were taught by Roelandt Savery at Utrecht. Allaert moved in 1645 to Haarlem, where he studied under Pieter de Molijn, and finally settled about 1657 at Amsterdam, where he died in 1675.
Bernardo Bellotto
Italian Rococo Era Painter, C.1721-1780 Italian painter and draughtsman. He was a view painter who worked in Italy and later at the courts of Dresden, Vienna, Munich and Warsaw. The nephew and almost certainly the pupil of Canaletto, outside Italy he signed his works de Canaletto and hence became known as Canaletto. He painted both topographical and imaginary views in a style independent of his uncle's, distinguished by cold colour and by the austere geometry of architectural masses.






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